Month: March 2014
Molly Wilmes, is a BFA Sculpture candidate at the Art Institute of Chicago.
Deep Within the Ravine
(after the painting by Hans Hofmann)
Below the surface
what never was
it never was
the sseduction of flesh
by skin to bone
feet fins wings arms
of the creator
creating its own
the hallows of the earth
where it began.
Bio: I live in and write from New Jersey. Many hundreds of my poems appear in print and online journals and anthologies throughout the world, including Alba, Anastomoo, The Camel Saloon, Counterexample Poetics, ditch, Fowl Feathered Review, Haggard & Halloo, PressBoardPress and Otoliths,among others. I have been nominated for the Pushcart Prize, Best of the Net and the Rhysling Award.
Poetic Statement: Mine is a poetry of big ideas in small, singular packages. I want the meaning to come through in accessible form–but with a slant, and always with a musical quality.
Late Afternoon: the Pilgrimage Church
You asked me to explain to you a past
the always-correct Party had chosen
to hide from you. Yet in a new place now
you wondered about the saints and angels
within and without of Maria im Sand.
Willing I went with you over the
hills on that grey day, October fading,
winds bringing in clouds into the valley.
I pointed out the Virgin’s deep blueness,
the smooth apostolic face at the cross,
the font, pulpit, altar, sunless stained glass,
the mixture of styles, depending on time.
In the cemetery an old man spoke
about previous warfare’s heavy toll;
we exchanged a glance thinking of new deaths
and walked the streets of the closing-down town.
Interest does not always lead to belief.
But each November you light a candle
for your mother. You are a pilgrim
pursuing an uncertain goal as you
seek for answers to your unvoiced questions.
I think back to this day, and wish you peace.
Sunday Morning at Beech Island
Sunny morning on the crest of the hill,
Slightly-cold wind in this January
Blowing down the slope toward the Savannah.
Red-doored neo-classic chapel readied
For weekly glimpse of transcendent grandeur.
Uncertainties hover here over us,
Somber occasions, enduring concerns.
During flow of familiar devotions
Light transfixes heavenward-pointed Host
Suffusing unveiled glory over all.
Some linger later outside on the porch
Viewing the landscape with improved vision,
Savoring the moments they wish would endure.
A View Backward from the Bend
Every now and then, my path will bend.
If no mists fill the valley, if cloudless
Skies permit, I can gaze where once I went.
On ribbons of path straddling the ridge
Were elusive apparent destinies
Downward sloping toward sunset beaches,
That so thinly disguised a cul-de-sac.
Stretching to the sky, several towers,
Some unfinished, others now collapsing,
Their classrooms with closed windows preventing
Fragrant air to alleviate the staleness,
Not knowing the land where lemon trees bloom,
Scholars scour the text repeatedly
For some non-existing enlightenment,
Refusing to look at the external.
Occasionally a face that I see,
Or a song wafting melody to me
Reminds me of my travels on that path,
Reconnecting me to what I had loved
Even if no longer can be found
Even if it no longer can be loved.
As quickly as it comes, it disappears
And I follow the bend to straighter paths.
Bio: Arthur Turfa lives in the South Carolina Midlands, but his poetry contains influences of his native Pennsylvania, California, Germany (where he has also lived), as well as other places. He is working on an e-book of his poetry, scheduled for release later in 2014. Published in the Munyori Literary Journal and South Carolina English Teacher, he also maintains a personal blog, Some Poetry at aturfa.blogspot.com
Poetic Statement: Essentially I think Wordsworth had it right, although I do not always find long-lasting tranquility. Something or someone grabs a hold of me, and lingers until I recapture the moment, the glimpse, or the time from my life. My poetry attempts to include the reader into what I experienced, rather than telling the reader all about it or me. At times I strive for a sense of closure, at others I want to preserve something (more as a Symbolist than an Imagist). Whom do I read; Eliot, Auden, Rilke (in the original), Frost, Updike, Shakespeare, Bukowski, and others.Language that sings is more important that language that rhymes.
am siren lo-fi in lavender / out to grass delete as considered bit
of an all-star a’int that the berries would like to announce my
participation in bright white wave i.e bug hunting perhaps
something to cabbage or just banging away at old
forms was dabble chipper with ice cream habit still went cafeteria
with co-pilot in ultimate safety perfect zone co-pilot who when link went
nowhere i paid off in the dark my songs are messy
unsympathetic to management “tone-from-the-top” gives
me circus headache regarding
duplication i don’t echo their
concern” big blue machine
decrees CCTV little
bears come restlessness
upon non-subscription we have to consolidate work of secret
associations black lantern clubs we must form society of
young dogs while at every thoroughfare
leers & i ask passersby
“are you anywhere?”
Bio: Billy Cancel has recently appeared in Barzakh, Horseless Review & Counterexample Poetics. His latest body of work HEADLESS MULTI VS. PERPETUAL INTERFACE was published in April by Hidden House Press. Sound poems, visual shorts and other aberrations can be found at www.billycancelpoetry.com
Poetic Statement: These are micro climates, dear compounds, circuits torrid