collaboration

Faded by Matina L. Stamatakis (with KJP Garcia)

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Faded

by

Matina L. Stamatakis

(with KJP Garcia)

plancelled

– kept aside

while sweeping from cell

dispersions

driven back to center

-clarified edges exposed

as indefatigable limitations

* * *

envelope disorderliness

of infinite spaces

─ghost automatons

                                rapt in lush circuitry

─synapse

a refuge

                            in the tumult

* * *

for every longing

overdue

evolution             /              sin          /              violence

purity + deeds

(s)wearing

circumspect technology’s

                                introverted shame

* * *

                                                ─rising

through darkness

                                                                                                                                                 [a doomed conception]

of alien sentience ─

throat                                             spilling-out accursed

ejectamenta                        (im)pulse,  a quiver

* * *

                                over(t)ly

(e)motion

:all – foreign to imminent

                                                                                                                                                                                                                                                                             choke down

of thrust              –              throb                     –                              set

aside with missteps

of speech yet to attain (a)trophied silence

* * *

                                                incommunicable language ─ exasperating

shape of open

mouths─ illusion’s desperate

trigonometry //  a priori: as tongue,      refracted

by  birth’s
origin
[un]wavering crux, thus Being

* * *

humble rivets – know trivial confusion for slack of steel

.  time bends light with/in gravity’s tru(e)st

– accord.

stains are false brands stubborn – undisturbed by wash and play

= only age (befri)ends ultimate options

faded beyond

e                             +/-                          legibility

* * *
the mind’s errata,

                                cognition: a synaptic labyrinth                                    ─disappears between

oceans of membrane                                   [un]familiar portals  in a dream

mechanized & extraterrestrial

expresses incomprehensible
know/ledge

only exists            in/complete

* * *

nothing(ness) posesses an indisputable perfection

corridors are heavens between disconnective voids – space unto space

of emptiness is resemblance – in likeness is always an image cast

to describe is to steal details from abstract almosts

equal = equal – alone

all + one

together is own make up of parts formed from (a)maze[me(a)nt] to be

  * * *

     synthesis──  needs flesh                          expect no answer    ──depend on distances/instances
breathing tomorrow    comes knowledge

& question                     rearranging patterns   of usual places

displaced                               in con/text                   +    elements + soft texture
obscured [by]  teeth

sensors behind senses
sense[less] // structures                                                           set  up to collapse
* * *

what detach meant was to say – give it time.  and it is standing in for what?

it detache(s/d) from meaning, past occurrence, infinitives, speech

.  in future’s tutorials examples, systems, and designs are ennobled unseen gases kept under bell jars filling in for(eign) core responses of familiarity disjointed                                                                                                                                                                                                observed

insistent upon bonds                                                                                                                                                                                                  broken                                                                                                                 in death and half-life

* * *

a dimming beacon, this half-life, a cling to           improbable senses       wavelengths       bodies
endless exploration of dire conditions─                           volition, non-present  & all the wilder, studying it
through liquid air, its immortality                only a mortal mark on blue matter──dissolution, suddenly
emblazons it──aether disperses             corporeal space, the observed half-life radiates a permanent
dystopia,   detach//collapse:             organs     wild flowers      malfunctioning   & uncertain── wet
as nothing, nihil in its skin              calls to speech through the bell jar, hollowed-out ghost-air
abyssal  [ as endless]                 algorithms
* * *

inches                                                   gamed                                  –                                gained

askew – a slant measured in available degrees

–              misfired on demand                                                                         – on target                         insides out        –

by want – need – have – control is bought borrowed sold

echoes in chamber push other voices to sleep

phantoms sacrifice death in total for glimpse = mired in local conditions of

staying housed/coursed where curving bells contain deviations derived from models

(A portion of this poem originally appeared in Barzakh)

Six Poems by Juliet Cook And j/j hastain

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Six Poems

by

Juliet Cook and j/j hastain

 

Inside Out

Like a bee moth with bloody honeycomb lips.
Whose mouth will you sting next?
Whose mouth will become your own
next sticky chrysalis space?

Behemoth please don’t
lose yourself while you are busy
trying to find yourself.
Don’t treat your stingers
like they’re tectonic plates.

You’re not the whole surface of the earth.
You hover buzz above the mainstream,
but why try to create a new ovicide?
Are you attempting to kill
your own pattern again?

When will you help yourself
understand not every protrusion turns
into a broken down strand of tainted
confidence in the hyoid coincidence?

Are you too busy chiding biology to notice
your disembodiment tear apart like
flayed digits? You used to be pretty
as a snap dragon until you snapped,

and repeatedly ripped yourself
into too many different pieces.

Elated Excavation

I’m an incomparable mess with exaggerated streaks.
How do I narrow this down? During weeks
of drought–during weeks
of downpour–weeks upon weeks of
inauguration of weakness. Why is my flesh
made like this? Is it made for this? I didn’t
sign up but it might be time
to excavate and rearrange the flock.

Here’s my latest signature. I am glowing the more and more
sheep I let into this
dream state.
Sheep aren’t only a bridge, aren’t only
what to count in order
to get somewhere. When the moon is just right,
these sheep trigger out ectoplasm,

lots of different colors and
shapes, too many to count
unless we create a whole
different sort of order
reordering the borders while
wise men dream of dust bunnies
and other happenstance. Revamp
the squiggle dusters into ecstatic
elation, frenetic deviation
from the fur
or devotional pledges ensuring
the fur.

Fury dangling on the edge,
purring at you to count
yourself in

Cuckoo Loincloth

Why Lancelot? She asked
her other self
the one in the oculus

Why not a lion-sized lark
a lionized loincloth
chewing this month’s blood

in order to create sparkles
of bewitching lioness drips
as the creature learns to fly

When the full moon
is acting full out
in attempt at fulfilling

will you drink it
or will you pull out
the flying machete

and try to hit that moon
down? Because why try?
Why attempt flight?

It’s like the spasm of a clock
made out of milkweed
that might suddenly turn cuckoo

and then drip down thighs
and crawl out the door
again. Screech as the glass
breaks. Great gallbladder
gonads in a rococo arrangement
with lip gloss on top

Disinfectant or Douche?

How do we engrave an orifice?

Burn a bible, a bundle,
an American flag.
Coagulate all the swag
down our throats and then
gag ourselves and spit it
down the drain and
grab the Lysol.

You know what we used to advertise
that Lysol for?

Cleaning off the stick of the plunger
after anal.

Prepare for ocular penetration
and spray paint a ventricle
with gasoline.

Blowtorch the entire panel,
turn the whole party scene
into burning whoopee cushions.

Quiet now: just experience that sound.

Entire Group Slides to One Soft Side

Turbulent taffeta explodes into
Aberrant apparitions

Archetypal pilgrimage
Turns the wheel

Until it sticks
Into the snow
Leaving you to wonder

Will it sink
Will it melt
Will it grow
More wet confetti

More topaz along the lone river
Where tides push and pull
Where whitewater vibes
Where the wet suit strives

To pop out eggs
The shape of staves
With splinters

Because large sacs
And vertical hives
Are buzzing in between
Biting distance

Like the spots within
Spots in
A large piece of
Moon shaped pie

Hole craters reconstructed
With icing jags
Jugs full of lag time
and the heavy breasts

that memory-less men
now drag around
the floor like protruding,
misshapen ball gags

Tall and unforeseen
forsaken gowns
the whole room groaning
like a mutant pinball machine
Entire group slides to one soft side
a way to be free of plagiarizing a wave

After the slow dance, some of them turn into ghosts,
some into cheerleaders, some into mixed up bags
of more taffeta. Just try to dive bomb that.

The healing potion explodes

We were seeking
not
North
in other words the
womb
full of worms
the groom of
a returning blood flow
brimming with another line up
marooned brain waves

Replicate life force
The void?
The new cave?

Is the place in which you are engaged
full to you? Or are you another never
ending cascade? Bright red, dark red.

One side a positive
healing
fetish violence.
One side a negative
stab wound
fantasy/reality.
Never ending hemorrhaging hemisphere. Never
ending lavish
light

Poetic Statements:

Juliet Cook: Oftentimes instead of attempting to express my shifting, mixed up viewpoints with straightforward words, I do so with poetry and visual art (like painting/collage art hybrids) and then let others interpret it how they will. I am often very uncertain about how others interpret my body and mind; likewise, I am often uncertain about how others interpret my poetry/art.

Bird fetuses, other carcasses, abandoned flesh, used flesh, abused flesh, relationship issues, body based issues, and fear of death often infiltrate my mind in one way or another – and much of my poetry and art helps me express those infiltrations rather than repress them. I love creative expression, but sometimes post expression, I feel like my content might be overly repetitive about myself, mind/body, life/death and what is the point of it all.

*

j/j hastain: Word-based: Words are more than language to me. They are little bolts, jolts of light, symbols and systems capable of enabling. Words are ways to make little worlds in which resounding can occur. Words are matter by which to graft new forms of environment and safe space. I depend on words in so many ways. They are access to so much vibrating excess. They are how an intuition becomes a speaking image, a realm.

Body-based: I have synesthesia. Often sound and sight (image) exchange. There are other modalities too: color and vibration. How to articulate experience then? When I read and swallow in words, sentences, I often feel a buzzing just outside of the frame of my physical body, sort of like standing by a loud speaker as intense music blasts at a dance club.

***

Bios:

Juliet Cook is a grotesque glitter witch medusa hybrid brimming with black, grey, silver and purple explosions. Her poetry has appeared in a peculiar multitude of literary publications, most recently including Arsenic Lobster, Menacing Hedge, Mojave River Review and Tarpaulin Sky Press. You can find out more at http://www.JulietCook.weebly.com.

*

j/j hastain is a collaborator, writer and maker of things. j/j performs ceremonial gore. Chasing and courting the animate and potentially enlivening decay that exists between seer and singer, j/j, simply, hopes to make the god/dess of stone moan and nod deeply through the waxing and waning seasons of the moon.