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Three Poems by KJP Garcia

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Three Poems

by

KJP Garcia

Stop By

Did you ring the doorbell?

This house is your house –

so to speak.

 

Open so long as you let yourself be heard.

But locks must be engaged, shutters closed

–there are some

that do harm –

 

Villains are not simply storylines, costumes, secret identities, powers

but will and win if not on guard

Feel free to come by, as (is) possible, you’ve come by before so unknown

So entrance was removed.

Time, this, as always will be different.

 

Afford

If on verge then do well to continue

Ceiling leaks, drops break in.

Mattress steals space from living.

 

And this teetering persists?

Make a go of it

– rest doesn’t go well

Fall, jump, get pushed

-expire-

afford a balance to repair’s value.

 

Which Side

Which side of the Hudson is for Verlaine

And which for Rimbaud after the break-up?

Not world enough / strong enough

to open petals

lay out

lyricism

illuminations

the way New York

can

with all the best pharmaceutical grade . . .

And two rivers and upstate to run to and Jersey

ready to back pocket

the written

on train out of here

to calm down.

 

So, Seine, which side is for Warhol and which for Basquiat

When done / decorated enough

to have back what is held close /

unwanted?

 

Poetic Statement: Experience is a plurality of convergences, interruptions, digressions, departures. These occurrences are the fragments which create larger memories and the narratives one attempts to convey to others. The closer one comes to examining the past, the more one notices how the present constantly interferes. The narratives one creates from the keepsakes of yesterday are shattered and forged again with new data – sensations, perceptions, insights, exemptions, the heard-words, the read-words, the thought-words, the dream-words, the images and ideas of having been inserted into a life of disturbances.

Bio: Kenyatta Jean-Paul Garcia is the author of This Sentimental Education, ROBOT and Yawning on the Sands.

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Terrible Animals by Chris D’Errico

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Terrible Animals

by

Chris D’Errico

Terrible Animals by C.DERRICO

Bio: Chris D’Errico has worked as a short order cook, a doorman, a neon sign-maker’s helper, and an exterminator, among other vocational adventures. Born in Worcester, Massachusetts, he lives in Las Vegas, Nevada, with his wife Tracy, and a small clouder of house cats. For more, visit www.clderrico.com.”

SOURCE TEXT: “A Field Guide To Critical Thinking” by James W. Lett, from the book “The Hundredth Monkey And Other Paradigms of the Paranormal”… Filtered through insomnia  and nervous impulse. Inspired by Salvador Dalí’s description of his paranoiac-critical method: “a spontaneous method of irrational knowledge based on the critical and systematic objectivity of the associations and interpretations of delirious phenomena.”

Two Poems by Vimeesh Maniyur

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Two Poems

by

Vimeesh Maniyur

Lip

Long back

He was called for making Thajmahal

A good, dirty man with talents

He Went.

One day he saw the Emperor

Heard an unknown toungue

May be he was the first in kerala

Who heard that…

It is stone not a white sun

There were no friends

In work they spoke one

They were one lettered humans

kept stone  like his letters

That day he spoke to the king

In dream… in his stone realm..

The man of palaces didnt get his stone-lip

Beheaded that kingdom

Never cameback.

Saw his rustic speech in its silence

True, It is fear not whiteness

The white geometry

As always

I looked into my android

There came a white geometry

 

Here and there roads

Here and there malls

Here and there talkies,

Hospitals, banks, A T M,

Railway station, hotels, pubs,

Café, bars, bus stand…..

Nothing but a white – haunted piece

Of barren world.

Where is this one, the road?

Hospital? Schools? army camp? Small teashops?

Loitering goats and many more….

Are they too big to map?

 

I looked again

Where I am?

 

Bio:  is an established bi-lingual poet, novelist and translator from kerala, in India. He has two volumes of poetry and a children’s novel in his credit. He has also penned stories and dramas. He has bagged for many prestigious awards such as Culcutta Malayali Samajam Endownment, Madras Kerala Samajam, Muttathu Varkki Katha Puraskaram etc. for young writers in kerala.

The Parisians by AJ Kaufmann

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The Parisians

A Chapbook 

by AJ Kaufmann

Bio: I am a Polish poet and songwriter. I have been around the small-press poetry scene since 2008. “Siva in Rags” is my most recognized piece of work when it comes to English-language poetry, I think. I have been published in the USA (Kendra Steiner Editions mostly) and UK. My work has been also translated into Bulgarian, and I recorded and released 2 solo albums with self-penned songs. I also have a band.
Here are some links, where information about me can be found.

Faded by Matina L. Stamatakis (with KJP Garcia)

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Faded

by

Matina L. Stamatakis

(with KJP Garcia)

plancelled

– kept aside

while sweeping from cell

dispersions

driven back to center

-clarified edges exposed

as indefatigable limitations

* * *

envelope disorderliness

of infinite spaces

─ghost automatons

                                rapt in lush circuitry

─synapse

a refuge

                            in the tumult

* * *

for every longing

overdue

evolution             /              sin          /              violence

purity + deeds

(s)wearing

circumspect technology’s

                                introverted shame

* * *

                                                ─rising

through darkness

                                                                                                                                                 [a doomed conception]

of alien sentience ─

throat                                             spilling-out accursed

ejectamenta                        (im)pulse,  a quiver

* * *

                                over(t)ly

(e)motion

:all – foreign to imminent

                                                                                                                                                                                                                                                                             choke down

of thrust              –              throb                     –                              set

aside with missteps

of speech yet to attain (a)trophied silence

* * *

                                                incommunicable language ─ exasperating

shape of open

mouths─ illusion’s desperate

trigonometry //  a priori: as tongue,      refracted

by  birth’s
origin
[un]wavering crux, thus Being

* * *

humble rivets – know trivial confusion for slack of steel

.  time bends light with/in gravity’s tru(e)st

– accord.

stains are false brands stubborn – undisturbed by wash and play

= only age (befri)ends ultimate options

faded beyond

e                             +/-                          legibility

* * *
the mind’s errata,

                                cognition: a synaptic labyrinth                                    ─disappears between

oceans of membrane                                   [un]familiar portals  in a dream

mechanized & extraterrestrial

expresses incomprehensible
know/ledge

only exists            in/complete

* * *

nothing(ness) posesses an indisputable perfection

corridors are heavens between disconnective voids – space unto space

of emptiness is resemblance – in likeness is always an image cast

to describe is to steal details from abstract almosts

equal = equal – alone

all + one

together is own make up of parts formed from (a)maze[me(a)nt] to be

  * * *

     synthesis──  needs flesh                          expect no answer    ──depend on distances/instances
breathing tomorrow    comes knowledge

& question                     rearranging patterns   of usual places

displaced                               in con/text                   +    elements + soft texture
obscured [by]  teeth

sensors behind senses
sense[less] // structures                                                           set  up to collapse
* * *

what detach meant was to say – give it time.  and it is standing in for what?

it detache(s/d) from meaning, past occurrence, infinitives, speech

.  in future’s tutorials examples, systems, and designs are ennobled unseen gases kept under bell jars filling in for(eign) core responses of familiarity disjointed                                                                                                                                                                                                observed

insistent upon bonds                                                                                                                                                                                                  broken                                                                                                                 in death and half-life

* * *

a dimming beacon, this half-life, a cling to           improbable senses       wavelengths       bodies
endless exploration of dire conditions─                           volition, non-present  & all the wilder, studying it
through liquid air, its immortality                only a mortal mark on blue matter──dissolution, suddenly
emblazons it──aether disperses             corporeal space, the observed half-life radiates a permanent
dystopia,   detach//collapse:             organs     wild flowers      malfunctioning   & uncertain── wet
as nothing, nihil in its skin              calls to speech through the bell jar, hollowed-out ghost-air
abyssal  [ as endless]                 algorithms
* * *

inches                                                   gamed                                  –                                gained

askew – a slant measured in available degrees

–              misfired on demand                                                                         – on target                         insides out        –

by want – need – have – control is bought borrowed sold

echoes in chamber push other voices to sleep

phantoms sacrifice death in total for glimpse = mired in local conditions of

staying housed/coursed where curving bells contain deviations derived from models

(A portion of this poem originally appeared in Barzakh)

The Lungfishes by Jesse Mitchell

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The Lungfishes

by

Jesse Mitchell

 

I. And the ice floe became endemic, because the water was cold

    And it was thin

    And it spread everywhere, all around.

    Standing in the backroom of a noisy petshop, waiting to drown,

    Imagining Cocteau, a film (a shimmer) on the storefront window

    Orpheus: Le Sang d’un Poete

    As the rain came down.

    Leaving dirty streaks in the dust, dusty streaks in the dirt.

II. And composition suggests death.

     The boundaries are set and they are smooth.

     The periphery is set and it  is smooth.

     It is a casket-aperture to let in the light,

     Because life needs random.

     Because vitality is chaos.

     And all we see are borders

     Fill them in, fill them in, we fill them in, fill them in.

III. And then it all gets old, it gets old

     And all you have left is bones and soul, bones and soul.

     The cars idling in the streets,

     The roar of engines

      The clouds of smoke.

IV.  “Greetings and welcome to Jaipur.”

      The bathroom smelled like soap, old ratfaced brown towel hung over the railing.

      All the way back to Earth, were lines, full spectrum  bright lines, like sunglare, lines streaking back.

      Trusting the burst behind them, the rushing crushing transfer of light, the blur between them,

      Weaving around them, the dangerous-shaking shapechanging

      building images in my mind, the images my mind will come to commit to memory, outrageous

      namecalling, tracking mud through the room, confused feeble little mind,

      The last second reflection of light (fluorescent) in a passing by mirror, sheen of the glass, corner of

      an eye.

V.   And don’t ever be afraid, there is nothing to fear.

      And don’t ever be ashamed

      Of what it takes to get back home again.

      Busted blind, or deaf and lame,

      All the bended bent outside in, dim lit,

      Rushing rivulets away,

      To get back home again.

VI. Lungfishes

      Lungfishes

      Amphibian reptilian paraphyly

      Air-filled-lungs, expanding gills, words falling out of ash like scales off of eyes.

      Plague, pulque, fire, flood, and gramophone.

VII. and we sat in schools, in little classrooms, bounded in by glass, bounded in by glass.

       And we listened,

       James Fenimore Cooper, Max Planck, the dreadful XYZ affair.

       Have mercy.

       The devils on us that hide in every subject, behind every pause.

       Deconstruct the clause, graph the sentence out.

IIX. Fire-pimps that hide behind the tinder.

       Lightning-skies that hide behind the storm.

       Reckless are the curtains torn, the rattle of the steel.

       The storms behind the clouds

       And this is what the tuhunder says as it begins to pour,

       Rushing rivulets, rivulets away.

IX.  Dans cet abime, abondance.

X.    and the fire became endemic, it was far too hot,

       The blood so warm and the skin so flushed,

        And the rain come spilling out.

       The noise so quiet and the light so bright,

        The visions so blurry, the lines so static, the colors so fade.

        Fill them in, fill them in.

Song Texts by Cécile Félix

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Song Texts

by

Cécile Félix

Numb

dive into my iris
arises the numb disease
let it fall in space
on time
words
shewed swords
only what she learned and not what she feels-
let her fall- let her fall-
in
love
in
what
where
when we came for/from
and now it arises

Eva

it is right it is wrong
it is black it is white
it is here, now it’s gone
it is right, it is right

it’s ugly and it shows
is it bad?
now it moves me!
it is all so close
it is melancholy for joy

and it’s fast
slow
down
to earth
up to the skies to the skies
Oh!Oh OhOh…

pinguin people

I wish I was pure
So I’m spoiled
I wish I was queen
wish I was, wish I was
I
am
co
rrupted
I am?

I wish I was lovely
and I only pretend
I wish I was lovely Oh Oh!
Here I am
I wish I had never cheated on you
If only in my dreams, If only in my dreams
I wish I had never cheated on you
If only, if only, Oh my! if only I!
Wish I was a child I could cry I could cry
I Wish I was a child

 

Bio: Name is Cécile Félix- I play and write my own songs under the Name BoB.
Was born in Bordeaux, France in 66.
Live in Hamburg, Germany since 1995.

I’ve been playing in a few bands before I started my solo project, with names like Spunge Paper, kill the Body and the head will die, les idiots.
I wrote my first poem at 11, my first song at 20.
I’ve always been drawing and started to paint a few years ago.

Poetic Statement: The point is to create,to find a way out of the blue and sometimes into the black..
I like to use accidents in creation, see myself as a tool versus a master.
I practice the same in my life if I can. Not trying to change the world, but my vision of it, when it hurts…because: 7milliards people = 7milliards different views about what peace should look like.