The Poetics of Immersion
Immersion Poetry
The Poetics of Immersion
out(be)come
be(in)ginnings
Sentiment and Sensibility
by Kenyatta Jean-Paul Garcia
Withinside of experience is poetics
an unhidden poetry runs its course through occurrences
a further unhidden poetry has been handed down and lived in for centuries in myth, fable, folklore, philosophy, religion, worldview, and other notions often marked as ‘culture’
images have existed
images exist
images created are tangled with past images
ideas are images to be
images are ideas had
images are ideas being had
the image and idea (of the image) is the center of the poem
even when the poem has no center or focus, the image/idea is
a direction of a poem is an image
a whole piece can turn on a preposition
into (for example) is an image/idea immersed into the wordery of the poem
the wordery is the added imagery of words surrounding the essential image
a room described is often done so just to place in or out of it the agent or patient of the lines
….
a poem finds its place immersed into other poetry at all points
no words exist alone
there is no alone with words
a single word is a combination of concepts, idea, and (what) sensiment imag(in)es
sense is a two-way conduit for sentiment
sensiment(al) is the poet’s stock of ingredients, materials, detritus, etc for poetry
sensiment is found art
sensiment is art forced upon artist via life and the image/idea occurring and being processed
….
the poem occurs within the overall web of poetics/wordery/sensiment
poem as written/being written is an act of immersion (at times invasion)
poem inserts into web of myth and history and truth and wish and current events and the POP
the pop the today’s need for myth with truth being subjected to wish
….
the poem once inserted into the umbrella of wordery undergoes the next step which is to be immersed into the reader
the reader more properly defined is the perceiver of poetry
the perceiver once in contact with the poem is in the poem is withinside the occurrence of the piece
minimalism, distillation and small vocabulary further allow for an enmeshment with the poem once the perceiver is immersed in the poem
the poem immersed in the experience of the perceiver
….
immersion poetry is NOT conceptual poetry
concept is but an aspect of/step towards idea
immersion poetry is not found poetry
all poetry is found in the cosmic and psychic language of the real and irreal/subjunctive worlds
possibility is its own myth
wish is a pantheon governing the will
….
immersion poetry enters this world wrapped in other wordery
it comes through and with all art and all pop
it comes with myth attached
it comes via quote via reference naked but for the air it has relationship with
it comes knowing it itself is at times nothing other than a paraphrase a para-image para-idea
it gives room for continuation
for communion
it gives
it is conversation
it hears
poems hear
it is called to respond
it responds to call
it calls for response
respond and correspond is immersion
….
it does by being allowed to do
to do is to be received
perception is reception where poetry is concerned
where poetry has flourished in its immersion
as but a petal coming from and returning to a mythic center
